Tuesday, July 8, 2008

Tanod: Ang Diyaryo ng Bayan

(Front page of July 7, 2008 issue)

Tanod: Ang Diyaryo ng Bayan
Submitted by Clarisa Legaspi, Alessandra Mercado & Alven Villavicenco (A53)
Interviewees: Prof. Domingo Landicho (Editor-in-Chief), Mr. Joel de Lara (Production Manager/Design Team) and Mr. Marzon Figueras.

Corporate Name: Tanod Publishing Inc.
Name of Newspaper: Tanod – Ang Diyaryo ng Bayan
Editorial/Business Address: Ground Floor Greatwall Building, 136 Yakal St., Barangay San Antonio, Makati City
Contact Information
1. Telephone number(s): 843-8283/845-2022
2. Fax number: 844-4464
3. E-mail address(es): desk@tanod.com / admin@tanod.com
*No official website
As a newspaper in tabloid format, Tanod distinguishes itself from other tabloids for its adherence to decency, refusing to feature sexually charged material, such that it is the only tabloid that is welcome in both home and school. Tanod sets new and higher and benchmarks for newspaper publication, proving by its success that the heretofore lowly tabloid can win public acceptance without sacrificing high journalistic standards.

Chaired and founded by Rey Anthony G. David Jr. (a veteran communications specialist and multifaceted businessman), Tanod takes its direction from its Publisher/President, distinguished journalist Romeo “Butch” del Castillo. The Editor-in-Chief is Palanca awardee, Professor Domingo Landicho. Prior to becoming Tanod’s Editor-in-Chief, he taught journalism and creative writing at the University of the Philippines and is a novelist. The Editor-in-Chief has the highest position and generally oversees all advisories, correspondences and “sustains the newspaper.” The managing editor, Lamberto E. Antonio handles all newspaper operations and movement within the editorial office. Third in rank is the news editor, Eduardo O. Detubio, who is directly involved with the correspondents. He is responsible for coordinating, dissecting and classifying news, as well as deciding what will be published. Other editors of the newspaper are Vick Tanes (provincial editor) and Ferdinand delos Santos (sports editor).

Two noted reporters of the newspaper are Nimfa Ravelo (DZBB) and Ely Saludar (RMN). However, Mr. Landicho clarified that there are a number of reporters assigned to specific locations and districts. They receive benefits such as Social Security System and Pag-ibig funds and are full-time employees.

Correspondents tackle assignments for different topics. They are stationed all over the country (per province) so that each region is well-represented. However, majority of them are posted in Metro Manila per district (e.g. government offices, Malacañang, Congress, Supreme Court, police districts). They are paid per published submission and are not full-time as they have other involvements (working for Tanod is a sideline). Mr. Landicho made sure to mention that these correspondents are “well-paid in comparison to other tabloids.” Included in Tanod’s roster of correspondents are Marou Pahati Sarne (DWIZ) and Raph Ereña.


Columnists are writers who are well-known in their respective fields but reside mostly in the broadcast media and the academe. Lamberto E. Antonio, Tanod’s managing editor, happens to be an in-house columnist. The special columnist for law is Adrian Sison. Other noted columnists are Rene Jose, Rene Sta. Cruz, Arnold Clavio, Jeffrey Espiritu, Deo Macalma, Señor Pacecho ad Ely Saludar.

Mr. Landicho wished to keep the all of writers’ salaries confidential.


Tanod: Ang Diyaro ng Bayan, was first launched in December of 2003 (approximately 5 years ago) and founded by Rey Anthony G. David, as aforementioned.

The newspaper was first known as “Tanod: Bantay ng Bayan” and it empathized with the ‘barangays’ and the issues that circulated within these communities. Eventually, the management realized that their target market was not genuinely interested in the articles and issues that the newspaper had been tackling and as a result they repacked the newspaper to “Tanod: Diyaro ng Bayan and later to “Tanod: Ang Diyaro ng Bayan.” The new tagline of Tanod which was adopted two years ago implies that the articles are presented in “our point of view” with reference to the writers and columnists. Mr. Landicho emphasized that repackaging was brought about by the readers themselves. The former market would not pick a newspaper that they would learn something from, instead they would opt for the distasteful articles. Unlike most tabloids that were linked to bad connotations such as gossip and scandal-filled articles, they veered away from this perception. He expressed that even pictures that are chosen to be printed out are carefully picked (such as decline from using graphic crime scene pictures). With this, their values of respect and sensibility are upheld.

Mr. Landicho also aims for the newspaper to be read by a wider audience, most especially students. He describes the newspaper as a ‘mouthpiece ng estudyante’ (the mouthpiece of the students) since most of their articles, which are personal opinions expressed by the writer, are directed towards liberal, critical, and open-minded readers. He also states that they are open to the ideas that the youth can share with them.

On a daily basis there is an estimate of 170,000 copies being printed out for circulation, but Mr. Landicho discloses that this “estimation” is merely for advertising purposes. In actuality there are only about 35,000 copies/day being printed and are hardly being circulated around. He explains that selling 15-20 % of the 35,000 copies is an achievement in itself.

Although he is uncertain about the actual number of copies that are being returned, he explains that “lugi ang investors” when this happens. Instead of the newspapers becoming revenue or cash, it is returned, recycled, and reused.

There is only one edition of the newspaper produced daily (including Sundays), and their editorial deadline is at seven in the evening sharp. In addition to these facts, Mr. Landicho further explicates that the newspaper heavily relies on advertisements to earn and to even survive. “Newspaper companies are hard businesses and if you’re expecting a large sum of revenue, it is unlikely. There are even instances wherein pwede pang ma-bankrupt ang kompanya,” he adds. Advertisements do not personally go through him, but the management themselves. Most of their advertisements are government agencies, projects, etc. and as a result, censorship although not blatantly stated is implied.

Mr. Landicho also took a moment to explain the typical Filipino reader thoroughly. He frankly stated that they are non-participative and do not provide newspaper feedback. This makes their practice more challenging and keeps the writers guessing about the true interests of the readers. The D and E crowd are harder to analyze since they are either “ignorant, indifferent, or too involved,” but in order to catch their attention, the newspaper makes use of our native tongue, Filipino, so that it would be comprehensible.


This is not the only problem that they face as also he also points out that, the A-B class do not pay attention to tabloids such as theirs. As Filipinos in general, we ignore our own culture or our own heritage and even look down and frown upon these. This is the harsh reality that they as an organization face everyday. Mr. Landicho envisions and hopes that copies of their newspaper would be extensively dissected within the classroom and that each and everyone’s opinion about the articles and most especially the columns are expressed openly. The newspaper, Tanod: Ang Diyaro ng Bayan, is meant to be an enlightening and educational read for the critical minds readers and most especially students.

The printing procedure is not carried out in the same location as editorial work. The former is conducted by Kagitingan Printing (also the company that prints for the Manila Standard) located at the port area. The newspaper’s measurements are that of the standard tabloid, 11x13 inches (12 pages per issue), although the dimensions were recently made smaller for economic considerations. Since its birth in December of 2003, Tanod has been utilizing digital technology to product their newspaper. Typesetting is stored in CD format while the page layout is created using the computer programs Pagemaker and Adobe Photoshop which are equipped with an image setter option. Tanod no longer uses the camera step because the process is simply PDF file to plate. Stripping is done via digital to negative. Plate making consists of four colors (cyan, magenta, yellow, black), and seven plates are made before the newspaper is printed. The printing procedure begins at about 9:30-9:45 in the evening (“after the lottery draw”) with the use of web-press.

REMATE a53 (PHOTOS)

left: Mr. Cabalbag - opinion editor

right: dark room














left: camera

right: fixer- name of the solution for the negatives

bottom right:
sample negative with the next day's



















left: drying the negatives using old newspapers

right: Mr. Jay Soriano fixing the negatives onto the acetate

bottom right: sample of negative on acetate































































































left column: the printing area; magenta ink; cyan ink; cutter & folder
right column: web attached to the machine; red inked already printed on paper; cutter & folder up close; plate maker; sample of plate

REMATE a53

Report on REMATE

By: Chan, Stephanie Therese C., Gamboa, Josine Alexandra S., Malacca, Krizel L.

Bagong Sinag Publications Inc., is the business name of a tabloid, which is publicly known as Remate and which is located in Legacy Building 1438 Quezon Avenue corner Scout Borromeo Street, South Triangle Quezon City. For editorial, they may be contacted in the telephone numbers (02) 3762062 and (02) 3762078 with fax number (02) 3762064, for advertising; (02) 3762063, credit and collection/accounting; (02) 3745810 and circulation (02) 3712537.

Remate does not have an editor in chief; instead, they have a Vise President for Publications and he is Mr. Reynaldo Briones. His job as a VP is to formulate policies and he acts as an editor in chief as well. In case of his absence, next in line is Ms. Susan Cambri who is the Managing Editor. She is in charge of supervising the daily operations of the company. After this they have eight page editors which some consists of Fred Cabalag, Lydia Bueno who is in charge of National news, Joe Cesar in Entertainment, Jocelyn M. Barlizo, Arnold Pajaron and Enrico Maclang. Remate has a total of fifty-eight reporters nationwide; eight editors and fifty correspondents who are paid per story. The number of their columnists varies and is based on the ratings.

The tabloid started off under the name Pinoy in 1989. It was then changed to Remate in 1991 when Sen. Pichay bought it by chance. This was because the former owner of the tabloid was closed due to high amounts of debt and Pichay just happen to buy the company.

Remate can print up to 60,000 – 80,000 copies per day including weekends. 20,000 of which are shipped to provinces at ten in the evening. The number of copies being sold/returned is estimated to be around 60-40 or sometimes 70-30. Usually, Remate will only have one issue a day but if there was a national emergency or a national catastrophe they will more or less make and print three issues a day. They ship their issues daily at 10 PM to the different provinces.

The Remate’s cut-off for daily stories is by 2-3 PM. The most is 5 PM, especially if there is a breaking story.

Printing of the Remate is done on the same location as the editorial. It is located in one building. Editing is done in an office while a door nearby leads to the printing machine. The page measurement is of the same size as the newspaper Abante. The length is 12.5 inches and the width 10.75 inches of the newspaper itself. The image size, meaning the size of the newspaper’s content, is 11.75 inches in length and 9.5 inches in width. The centrefold of the newspaper has a length of 20 inches and a width of 11.75 inches. Image size of the centrefold is 11.75 inches in length. The page layout is done electronically, using Adobe as the program. Their printing uses the web offset printing and starts at 9:00 PM, after the lotto. They use a camera and stripping. The print speed of the newspaper is 60,000 per hour.

A full page advertisement in the newspaper runs for 30,000+ pesos per page for black and white and 40,000+ pesos per page for full color. The more colors the advertisement uses, the more expensive it is. Advertisements on prime pages like pages 3 and 5, front page, back page and centerfold also are more expensive. Classified advertisements are categorized into three: commercial, judicial and legal.

TEMPO by Ang, Kui, Tolentino






Tempo

“The Nation's Fastest Growing Newspaper”

Manila Bulletin Publishing Corporation

Muralla corner Recoletos
Intramuros, Manila 1002

P.O. BOX 769

Tel nos. 5278121 loc 267 or 268

tempo@mb.com.ph

Tempo is a 16-page English tabloid that takes pride in its news headlines, entertainment and sports sections. This news publication boasts of its mother company Manila Bulletin's state of the art printing press that is capable of printing at extremely high speeds to go along with good quality. There are only three of those machines in the world, the other two belong to the Japan Times and New York Times respectively. Its so called sister companies include "The Manila Bulletin" and "Balita" which also prints their newspapers on the same printing press.

Staff

Editor-in-Chief for all publications under Manila Bulletin: Dr. Cris J. Icban, Jr.

Editor for Tempo: Robert Roque Jr.

Associate Editor: Edgardo Bartilan

News Editor: Gerson Lapid Jr.

Nate Barreto

Beth Estupikan

Entertainment Editor: Nestor Cuartero

Sports Editor: Rey Bancod

President: Atty. Miguel B. Varela

Publisher: Atty. Hermogenes P. Pobre

Reporters: 9 all of which are full time employees assigned in different beats

Correspondents: 15-20 nationwide

Columnist: 4 are full time, 6 are guests

The associate editor acts as the editor in chief when the editor is not around. The only difference is the hierarchy which manifests power in the editing process.

Editorial Deadlines/s

Deadline of the editorials is at 2-3 pm but in some cases called late breakers, the deadline may be pushed up to 4-5pm

History

Tempo was established on July 12, 1982 and owned by Don Emilio Yap. It was born out of an idea that today's readers are perpetually on the go and that they have only a few minutes of their time to scan the news. From its original 12-page format, Tempo increased its pages to 16 on Nov. 10, 1995. The paper went full color on March 23, 1999 as the Bulletin further modernized its printing. Its first editor was Recah Trinidad and was succeeded by the late Augusto Sta. Ana on May 1, 1983.

"If a story has not appeared in the pages of Tempo, it has yet to official"

-Rudy Navarro, most popular Tempo sports editor

Production and Printing Information

Printing is done at the same place as the editorial as well as all the activities related to the production of the newspapers. The measurement of the newspaper is 9.8 x 11.8 in. The page layout is done via the computer using the program Adobe InDesign. Type setting is done directly to the plate but there are times however that they still use camera stripping, like when there are ads to be placed. Printing starts at 4 pm and ends at 5pm on weekends while on weekdays it starts at 6:00 pm and ends at 7:00 pm. By 8:00 pm they should be starting to disseminate their papers to their distributors. The printing press they use can produce 100,000- 120,000 copies in less than an hour.

Advertising Rates

Classified Ads

Weekdays : P173.60/ccm

Sunday: P 196.00/ccm

Affidavit: P 84.00

Display Ad Rates & Production Cost

* Rates are based on P155.00 per col.cm on Weekdays and P175.00 per col.cm on Sundays. (Exclusive of EVAT)

* Production Cost is charged for ad placement without positive ad material (for layouting/typesetting) P15.00 per col.cm (Exclusive of EVAT)

Prices are Inclusive of 12% R-VAT

PAGE SIZE WEEKDAY SUNDAY PROD. COST
1 PAGE 7x30cms P36,456.00 P41,160.00 P3,528.00
3/4 PAGE 7x24cms P29,164.80 P32,928.00 P2,822.40
6x28cms
1/2 PAGE 7x15cms P18,228.00 P20,580.00 P1,764.00
1/3 PAGE 5x16cms P13,888.00 P15,680.00 P1,344.00
4x20cms
1/4 PAGE 7x8 cms P9,721.60 P10,976.00 P940.80
4x14cms
2x28cms
1/6 PAGE 6x6 cms P6,249.60 P7,056.00 P604.80
4x9 cms
3x12cms
1/8 PAGE 7x4 cms P4,860.80 P5,488.00 P470.40
2x14cms
4x7 cms
1x28cms
Min. Size
3x5 cms P2,604.00 P2,940.00 P336.00
2x7.5cms

Column Guide:
1col = 3.2cm
2col = 6.8cm
3col = 10.4cm
4col = 14.0cm
5col = 17.6cm
6col = 21.2cm
7col = 24.8cm

SURCHARGE FOR COLOR ADS
Additional: 110% for Center/Back Page
Inside Pages: 80% for Full Color Ads
: 60% for Two Spot Color Ads
: 30% for Spot Color Ads

MOVIE AD RATE:
P60.00 per column centimeter

POSITION SURCHARGE:
Additional 30% for Centerspread & Back Page

FOREIGN AD RATE:
US$ 17.00 per column centimeter

Sources

- Mr. Gerson Lapid Jr. - News Editor

- Tempo Newspaper

Submitted by:

Ang, Victor A51

Kui, Walther A51

Tolentino, Arvic A51



Video: Our interview with Mr. Gerson Lapid Jr., News Editor of Tempo. Mr. Roque asked him to entertain us in his place. This interview was conducted on July 5, 2008 (Saturday) from 6:00pm - 7:00pm.

Pilipino Star Ngayon





Pilipino Star Ngayon is under the Star Group of Publications founded by the late Betty Go-Belmonte. Today, the publication group’s Chief Executive Officer is Miguel Belmonte, the son of its founder.


It was launched on the 17th of May 1986 by Ms. Betty Go Belmonte, a close friend of Corazon Aquino as a symbol of the restoration of Philippine democracy most evident in the rebirth of press freedom after the Marcos regime. Its original name was “Ang Pilipino Ngayon”. By 1990, it was changed to “Pilipino Star Ngayon”, since it became a part of Star Group of Publications.


Star Group of Publications decided to circulate tabloid because they are easier to print, intended for the masses, and it is not bulky unlike the regular broadsheets. Though stories like “Lalaking Buntis” and “Dalagang Nanganak ng Dalag” are what one usually sees on its small sections –as it is customary to any tabloid paper around the world –it can also cover stories such as the installation of Corazon Aquino as the President of the Philippines.


Another tabloid under the Star Group of Publications is the PM or Pang-Masa. Contrasting PM to Pilipino Star Ngayon, PM deals with police stories while Pilipino Star Ngayon concentrates on political issues. In comparison, their readers are usually from the classes B, C, and D like students, vendors, and farmers. Their major competitors are Abante, Bulgar, and Remate.


The Editor-in-Chief of this Pilipino Star Ngayon is Mr. Alfonso Pedroche. He is the one who chooses the news and decides which of them would get the front page, what to put on the banner, etc. He also checks if the sources are credible, the facts are logical, and timely. Aside from him, there are also other editors who are divided according to their news sections. The section editors are: Ms. Rowena Del Prado for Metro Ngayon, Mr. Ronnie M. Halos for Opinion Ngayon, Ms. Jo Lising-Abelgas for Metro Ngayon, Mr. Mario D. Basco for Probinsya Ngayon, Ms. Salve V. Asis for Showbiz, Ms. Jojo P. Briones-Cruz for Libangan Ngayon, and Ms. Dina Marie Villena for Sports Ngayon. All of them layouts, type-sets, proofreads, and edits the news but their real main responsibility is deciding which news to print and how should they be placed on the paper. Pilipino Star Ngayon has no reporters rather; it has correspondents or contributors that are paid per column. They have fifteen columnists but they are “inorganic”. They contribute from time to time but are not officially working for the publication. Among their columnists are Korina Sanchez and Ben Tulfo.


All the news stories are due for editing by six in the evening. The contributors and columnists must start submitting their works by four to five in the afternoon. Submissions are done via email. Later at nine o’clock, their printing starts. They use a community printing machine, the Gothe. An average of thirty five thousand copies per hour is printed in their machine located inside their building. They usually just print one edition however, on special occasions when an important story is submitted, another edition for that day is printed.


Pilipino Star Ngayon originally measures 7 by 32 units. Later, they changed this measurement to 7 by 30 units. All the type-setting, proofreading, page layout, camera, etc are done electronically or with the use of computers. They still make use of the dummy but only for modeling purposes that involves advertising. Before, their major advertisers were cigarette products. However, it was banned. Now, their major advertisers include telecommunication companies such as Smart and Globe, and food supplements and SM. Full-page advertising on Pilipino Star Ngayon costs up to P50, 000.


The business address, editorial address and production site of Pilipino Star Ngayon are located at Railroad cor. Roberto Oca Sts. Port area Manila. They may be contacted through landline (5272389), fax (52724023) and email (psngayon@pacific.net.ph). They usually print up to 200,000 copies daily especially on Sundays when there the demand for Pilipino Star Ngayon or any publication is at its peak every week. Should the readers find it difficult to find this publication, Pilipino Star Ngayon articles can also be viewed on their website at http://philstar.com/philstar/pinoy.htm. However, there is an average of about 20% of their released copies that are returned daily. Their pass on readership estimate averages to about five people.


It is currently sold at ten Philippine pesos per copy.











Sources: Mr. Alfonso Pedroche, Editor-in-Chief of Pilipino Star Ngayon










Mr. Ramon Bernardo, desk editor of Pilipino Star Ngayon










Ms. Rowena del Prado, Editor of Metro Ngayon Section of Pilipino Star Ngayon




















Monday, July 7, 2008

Manila Standard Today

A Report on the Manila Standard Today Newspaper Visit.
by: Enrique Arellano, Moujeck Cabales, and Diana Paguirigan


Last July 4, Friday, we visited the newspaper, Manila Standard Today. We were able to interview Mr. Alfonso Ma. U. Constantino, the Human Resources Manager of the said newspaper firm. Mr. Constantino was very cooperative to answer all our queries and he was able to give us a tour around their office and printing plant.

These are what we have gathered:

Manila Standard Today’s corporate name is Kamahalan Publishing Corporation (KPC). It is located at Leyland Building, Railroad corner 21st Streets, Port Area, 1018 Manila. Printing is also done in the same location. Their website is www.manilastandardtoday.com.

MST’s key editors are: Victor C. Agustin, the chairman of the editorial board, also acting as the editor in chief; Ramon L. Tomeldan, managing editor; and Ray S. Eñano, Chin Wong, and Cesar Barrioquinto, the associate editors.

The chairman of the editorial board handles the first page and has the prerogative of decision on what news to publish. The managing editor is an assistant editor, controlling the rest of the staff administratively. On the other hand, associate editors are the section editors who are in-charge of the different sections in the newspaper.

They have a total of 25 reporters; 17 on the central desk, 7 assigned on business and 1 for sports. They have 15 correspondents; 5 in Metro Manila and 10 located in different provinces. And they have about 29 regular correspondents; 8 for business, 5 for lifestyle, 1 for entertainment, 10 for opinion, and 5 for sports.

Mr. Constantino gave us a brief history of KPC. It was February 1987 when the Elizalde group inaugurated the publishing company known as Standard Publications, Inc., he stressed. Two years later, the Soriano group bought out the Elizalde Group which was then publishing ManilaStandard, it was re-named as Kagitingan Publications. In June 1991, the group of Ambassador Alfonso Yuchengco came in also as an investor. The publishing company was spun-off and was incorporated as Kamahalan Publishing Corporation, the publisher of ManilaStandard, a leading daily newspaper with nationwide circulation. In 1997, Enrique Razon bought the shares of the Yuchengcos. Rogelio C. Salazar is the current President and CEO of KPC.

The paper's circulation is confidential; and kept the number of copies printed and copies sold or returned undisclosed. The pass-on readership estimate is about 125,000, nationwide.

The paper only has one edition, which they do not remat. It has no Sunday paper. MST has three sections. First is the section A, consisting the top stories. It is usually the last section to be printed; its editorial deadline is 8 pm. Section B is all about business and its editorial deadline is 7 pm. Section C that is about lifestyle has an editorial deadline of 6 pm.

As said earlier, MST’s printing press is located the same as editorial. Its page measurement is 9x54, 9 columns by 54 centimeters. They do not typeset anymore for the reports are sent thru mail, but they still proofread. They use Pagemaker for the page layout. And they use the process of camera and stripping. Printing starts at 6pm for the Section C, 8pm for Section B, and 9:45pm for Section A. Their press type is GOSS, printing with the maximum of 20,000 copies per hour. The copies for Luzon are not delivered; they are being picked on the location at around 10pm for North Luzon and 11pm for South Luzon. The copies for Visayas and Mindanao are brought to PAL at around 2 in the morning.

Advertising rates for a full page display is Php 101, 574 and Php 58, 806 is for a full page classified. These are for both black and white prints, 209/ccm for display and 121/ccm for classified. 80% surcharge is added for color.

Kamahalan Publishing also prints tabloids like Tanod and Pinoy Parazzi.

Pictures in the plant and the office are located in the following site:

http://yangdanda.multiply.com/photos/album/84/INTPRIN_Midterm